Love | The Erotic blog

Cérémonie d’amour (Love Rites ) (1988) ...

The last film by the great Walerian Borowczyk, about the terrors of seduction. When Hugo (Mathieu Carriere) meets Myriam (Marino Pierro), a prostitute who picks up her clients on the Paris metro, he soon becomes obsessed with her sultry beauty and follows her to a flat owned by the mysterious Sara Sand, where he consummates his passion. Suddenly he finds the rules of the game have changed as Myriam is now in charge of his body and his soul. A macabre love poem from the Director of The Beast and Immoral Tales.

IMDB Link

Size: 669MB

Media length: 01:23:50

Video: DivX 6 640×480 25.00fps [Stream 00]

Audio: MPEG Audio Layer 3 48000Hz stereo 128kbps [Stream 01]

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Goto, Island of Love (1968) – Walerian Borowczyk

Despite its title and the expectations which Borowczyk’s reputation, and subsequent work, might raise, there’s not really much love on Goto, and no sex in the film at all. What you have is the resistible rise of an unscrupulous operator in a micro-society which is small enough to disguise its (benevolent, but at least symbolically military) dictatorship under the image of an extended family. Goto is not only small but totally cut off from the outside world, so that the power structures which Gono exploits are founded on an inextricable tangle of personal and political ties, and Gono himself, although an ‘outsider’ in the sense of feeling no personal loyalty to the structures, is very much an ‘insider’ in terms of his understanding of them. No one, in fact, can either come into or leave the island, and Gono the ‘outsider’ is the first to thwart any escape attempt.His desire for Glyssia is presumably incestuous and it would be very easy to analyse the whole process of the film as another reworking of Oedipus-refracted-through-Freud, with emphasis on the relation to the workings of power-politics.Along with that, however, you’ve got mischievously surreal bits of ‘local colour’ which also add to the disturbing sense that the island is out of kilter – Gono’s official ‘activity’ being the most obvious; the method of dealing with criminals the most revealing about the real priorities of the system; and the portrait of the king my personal favourite. The photography – black and white – looks as if it owes something to thirties poetic realism and creates just the right balance between fantasy and credibility.

IMDB Link

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